2025- ongoing project
These pieces began while I was riding the subway in Korea, passing over a small uninhabited island thick with summer vegetation. For a moment, I thought, “No one could enter that place,” and then immediately questioned why I was measuring it by human standards at all. ...
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2026
Finding migan begins with a personal difficulty in meeting others’ gaze.
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2025
This work brings together three
forms—painting, frame, and pop-up sculpture—into a single yet unstable structure. ...
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2025
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2024
This work unfolds like a fragmented stage. Grass-like elements appear as if extracted from the painting itself,
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2024
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2023
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2023
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2022
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2022
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2022
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2022
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minjik325@gmail.com
@manzizix
Minjee constructs temporary, foldable spaces where images, objects, and viewers coexist without fully coinciding. Working across painting and installation, she treats these not as fixed categories but as ways images extend into and negotiate with space. Surfaces may protrude or partially obscure one another, interrupting a complete view. She refers to this condition as the Skew Universe: a state in which entities continually approach one another without fully meeting.
Her approach is grounded in the belief that coexistence does not resolve into seamless unity. Rather than fixing relationships into stable forms, she creates situations where proximity persists and complete coincidence remains unattainable. Meaning emerges through the viewer’s movement and shifting perspective within the space.
Pratt Institute, New York, USA
(Expected May 2026)
BFA,
Hongik University, Seoul, South Korea
2023
New York, USA
2025
Days, Days, Days!, Hongik University
Seoul, South Korea
2022